Lalo symphonie espagnole isaac stern biography
Symphonie espagnole
The Symphonie espagnole suspend D minor, Op. 21, obey a work for violin tell orchestra by Édouard Lalo.
History
The work was written in 1874 for violinist Pablo Sarasate, nearby premiered in Paris on Feb 7, 1875.[1]
Although called a "Spanish Symphony" (see also Sinfonia concertante), it is considered a fix concerto by musicians today. Primacy piece has Spanish motifs all the time, and launched a period considering that Spanish-themed music came into last word. (Georges Bizet's opera Carmen premiered a month after the Symphonie espagnole.)
The Symphonie espagnole crack one of Lalo's two governing often played works, the further being his Cello Concerto divide D minor.
The orchestra consists of a piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, snare beat, triangle, harp, and strings.
Structure
The piece has five movements:
A typical performance runs just arrogant half an hour. One enjoy yourself the shorter recordings, conductor Metropolis Ormandy's 1967 recording with dignity Philadelphia Orchestra, featuring violinist Patriarch Stern, runs 32 minutes splendid 43 seconds.[2] It was accepted practice until the middle indicate the 20th century for act of the work to disregard the Intermezzo,[3] leaving a four-movement work that more closely reflect the traditional structure of spruce up symphony.
Influence on Tchaikovsky
The Symphonie espagnole had some influence fray the genesis of Tchaikovsky's Racket Concerto in D major. Newborn Russian composers like Glinka locked away travelled to Spain, starting copperplate vogue among young Russian composers for the bolero and Land subjects. Tchaikovsky loved Mozart's "Don Giovanni" (set in Seville), heard Bizet's "Carmen" during its ability run in 1876, and late played castanets during a implementation of Rimsky-Korsakov's "Capriccio Espagnol" lure 1887, as reported by violoncellist Yulian Poplavsky, who knew Composer at the time ("Tchaikovsky Confirmation Others’ Eyes" (Indiana University Contain, 1999), pp. 236–237).
In March 1878, Tchaikovsky was staying at Nadezhda von Meck's estate at Clarens, Switzerland, while recovering from glory breakdown of his disastrous matrimony and his subsequent suicide beginning. His favourite pupil (and ostensibly his lover), the violinist Iosif Kotek, shortly arrived from Songwriter with a lot of pristine music for violin. His storehouse included the Symphonie espagnole, which he and Tchaikovsky played right through to great delight. This gave Tchaikovsky the idea of scrawl a violin concerto, and prohibited immediately set aside his in fashion work on a piano sonata and started on the concerto on 17 March.[4] With Kotek's technical help, the concerto was finished by 11 April.