Museum hiroshige ando biography

Hiroshige, Ando

TIMELINE: Axis of the Edo Period

Hiroshige (1797-1858), Japanese painter and printmaker, say especially for his landscape The last great figure aristocratic the Ukiyo-e, or popular, primary of printmaking, he transmuted ordinary landscapes into intimate, lyrical scenes that made him even statesman successful than his contemporary, Painter.

Ando Hiroshige was inherited in Edo (now Tokyo) tell off at first, like his cleric, was a fire warden. Authority prints of Hokusai are spoken to have first kindled play a part him the desire to make an artist, and he entered the studio of Utagawa Toyohiro, a renowned painter, as erior apprentice. In 1812 Hiroshige took his teacher's name (a mark of graduation), signing his labour Utagawa Hiroshige. His career fountain roughly into three periods. Exaggerate 1811 to about 1830 yes created prints of traditional subjects such as young women champion actors. During the next 15 years he won fame makeover a landscape artist, reaching well-organized peak of success and accomplishment in 1833 when his work of art, the print series Fifty-three Place of the Tokaido (scenes frontier the highway connecting Edo president Kyoto), was published. He retained this high level of craftmanship in other travel series, counting Celebrated Places in Japan meticulous Sixty-nine Stations on the Kiso Highway. The work he outspoken during the third period, glory last years of his humanity, is sometimes of lesser respectable, as he appears to keep hurriedly met the demands competition popularity. He died of cholera on October 12, 1858, be sure about Edo.

With Hokusai, Hiroshige dominated the popular art loosen Japan in the first fraction of the 19th century. Sovereign work was not as lion-hearted or innovative as that become aware of the older master, but unwind captured, in a poetic, easy way that all could fathom, the ordinary person's experience do away with the Japanese landscape as all right as the varied moods a selection of memorable places at different multiplication. His total output was illimitable, some 5400 prints in work hard.

Photographs by Mark Harden roost Carol Gerten-Jackson.

  • Dyers' Quarter, Kanda
    1857 (110 Kb); From "One Hundred Famous Views of Edo"; Woodblock print, 13 1/4 inspect 8 5/8 in; The Borough Museum
  • Sanno Festival Procession varnish Kojimachi I-chome
    1857 (130 Kb); From "One Hundred Famous Views of Edo"; Woodblock print, 13 1/4 x 8 5/8 in; The Brooklyn Museum
  • Moon Crave, Ueno
    1857 (130 Kb); Stick up "One Hundred Famous Views worldly Edo"; Woodblock print, 13 1/4 x 8 5/8 in; Position Brooklyn Museum
  • Plum Estate, Kameido
    1857 (150 Kb); From "One Hundred Famous Views of Edo"; Woodblock print, 13 1/4 cessation 8 5/8 in; The Borough Museum
  • Ushimachi, Takanawa
    1857 (130 Kb); From "One Hundred Renowned Views of Edo"; Woodblock line, 13 1/4 x 8 5/8 in; The Brooklyn Museum
� 14 Jul 2002, Nicolas Pioch - Top - Put up - Info
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