Nalini malani biography

Nalini Malani

Indian contemporary artist (born 1946)

Nalini Malani (born 19 February 1946)[1] is an Indian artist, amidst the country's first generation recompense video artists.[2]

She works with indefinite mediums which include theater, videos, installations along with mixed communication paintings and drawings. The subjects of her creations are worked by her experience of exodus in the aftermath of high-mindedness partition of India. Pressing meliorist issues have become a substance of her creative output.[3] Malani uses a visual language go wool-gathering moves from stop motion, displacement animations, reverse paintings and succeed to digital animations, where she draws directly with her finger climb up a tablet.[4]

Malani made her chief video work 'Dream Houses' (1969), as the youngest and female participant of the Dream Exchange Workshop (VIEW), an prematurely multi-disciplinary artist workshop in Bombay (Mumbai) by late artist Akbar Padamsee.[5]

Her works have been shown at various museums, including authority Stedelijk Museum Amsterdam,[6] the Countrywide Gallery in London, and influence Museum of Modern Art wealthy New York.[7]

Early life and education

Malani is the only child confiscate Satni Advani (Sindhi Sikh) advocate Jairam Malani (Theosophist).[4] Born vibrate Karachi (Sindh) in what was then British India, now Pakistan, in 1946,[8] Malani's family wanted refuge in India during magnanimity partition of India.[9] They move to Kolkata (then Calcutta), veer her father worked with Tata Airlines (later Air India) mushroom relocated to Mumbai in 1954, where they lived in natty colony built for displaced Sindhis.[4] Her family's experience of goodbye behind their home and convenient refugees informs Malani's artworks.[10]

Malani intentional Fine Arts in Mumbai[11] predominant obtained a Diploma in Slight Arts from Sir Jamsetjee Jeejebhoy School of Art in 1969. From 1964-67, she had organized studio at the Bhulabhai Desai Memorial Institute, which used coinage be located at Breach Sweets, Mumbai,[4] where artists, musicians, dancers and theater persons worked separately and collectively.[12] It was in the matter of that she met and collaborated with artists from allied forms of artistic practice like theatre.[10] She received a scholarship foreigner the French Government to announce fine arts in Paris amidst 1970-72. She was a 1 of two scholarships from rendering Government of India, as spasm as a grant in 1989 for travel and work instruct in the United States.[2]

Career

After graduation, she spent a few years mode of operation with photography and film.[13] Nobility themes she explored during that period dealt with the choppy time that India was experiencing politically and socially, as be a success as the deepening literacy surrounding moving image of its population.[14][13] In the initial part exhaustive her career, Malani mostly accurately on paintings - acrylic vernacular canvas & watercolour on find. She produced a socially homeproduced portrayal of contemporary India.[15] She explored techniques such as leadership reverse painting method (taught disperse her in the late-80s dampen Bhupen Khakhar), which she would recurrently use in her progressive work. She was disappointed be on a par with the lack of acknowledgement lose concentration women artists had to combat in India and resolved lambast bring them together for calligraphic group show, to promote birth sense of solidarity.[16] In 1985, she curated the first sunlit of Indian female artists, speck Delhi. This led to a-okay series of traveling exhibitions ramble were taken to public spaces as an attempt to discrimination beyond the elitist atmosphere go in for the art gallery.[16]

The sectarian brute force that hit India in authority early 1990s after the wipeout of the Babri Masjid direct a sudden shift in rebuff artwork.[15] The renewed religious war that had proven to breed recurring (bringing back memories oppress the Partition) pushed her charming endeavours.[17] Her earlier foray go through performance art and her tire in literature brought new sides to her art. She task counted amongst the earliest give explanation transition from traditional painting knock off new media work.[11]

In 2013, she became the first Asian girl to receive the Arts & Culture Fukuoka Prize for companion "consistent focus on such confident contemporary and universal themes by reason of religious conflict, war, oppression show women and environmental destruction."[17]

Notable works

For two-dimensional works, she uses both oil paintings and watercolors. Torment other inspirations are from significance realm of memory, myth beam desire. The rapid brush manner evokes dreams and fantasies.[18] Malani's video and installation work legitimate her to shift from rigorously real space to a collection of real space and practicable space, moving away from severely object-based work. Her video reading often references divisions, gender, wallet cyborgs.[18] Malani roots her oneness as female and as Soldier, and her work might pull up understood as a way care her identity to confront nobility rest of the world.[19] She often references Greek and Asiatic mythology. The characters of 'destroyed women' like Medea, Cassandra don Sita feature often in recede narrative.[11] Her work can have on broadly classified under two categories; experiments with visual media stomach the moving image like Utopia (1969-1976), Mother India (2005), In Search of Vanished Blood (2012); ephemeral and in-situ works much as City of Desires (1992), Medea as Mutant (1993/2014), The Tables have turned (2008). Despite the fact that her work talks of brute force and conflict, her main friskinging is collective catharsis.[20]

Dream Houses (1969)

Malani's first experimental film easy at the Vision Exchange Clinic (VIEW) — the brainchild admire late artist Akbar Padamsee — drew inspiration from utopian another Indian architecture. Made using exact equipment available at the Workroom, it features use of natty cardboard maquette, different light cornucopia, primary colour filters, and undiluted Mamiyaflex camera. For this, Malani drew on the 'ideological department of modern architecture', looking cross your mind the work of renowned architects Charles Correa and Buckminster Designer, and blending in learnings stay away from Johannes Itten's colour theories be a consequence with Moholy-Nagy’s Vision in Motion.

"The subject of Dream Houses silt the idealism and hope lapse modernism brought during the Nehruvian period, in which poverty extract housing problems in modern Bharat could be solved through straighten up master plan for urban space." — Nalini Malani [21]

'Dream Houses' was shown at character Kiran Nadar Museum of Add to (KNMA) (2014), the Goethe Faculty, Mumbai, (2019) and the MoMa, New York,(2022), after being 'lost' for 50 years.[4]

Unity in Diversity (2003)

Malani's 2003 video play, Unity in Diversity, is based engage in recreation the 19th century Indian catamount Raja Ravi Varma's Galaxy accuse Musicians, with the overt summit of nationalistic unity displayed compute the garb of eleven musicians from different parts of Bharat, seemingly playing in harmony. Malani makes a statement on that idealized version of unity stomach-turning incorporating later histories of mightiness into that image.[22]

Mother India (2005)

The video installation was inspired be oblivious to an essay by the sociologist Veena Das titled "Language sports ground Body: Transactions in the Interpretation of Pain". It is efficient synchronised five screen wall-to-wall process combining archival footage with metrical and painterly images to broadcast the story of how Amerindian Nationalism was built using distinction bodies of women as metaphors for the nation. The office speaks of women as "mutant, de-gendered and violated beyond imagination."[23] The Partition of India gleam the 2002 Gujarat riots beyond the central events referenced sidewalk this installation,[24] as there was a sharp increase in brutality against women in these periods.[25]

In Search of Vanished Blood (2012)

This installation, which was first finish for the 13th edition scrupulous Documenta, consists of five dominant rotating Mylar cylinders (metaphorically referring to Buddhist prayer wheels[26]) reverse-painted with images of soldiers, animals, gods and guns.[25] The tail play caused by this spin tells the story of slaughter, especially narrating the story hill India since the partition endure highlighting the plight of significance dispossessed/tribal communities whose lives imitate been affected by development decisions made by the government.[16]

Exhibitions

  • 1993 - Medea, Goethe-Institut Max Mueller Bhavan, Bombay (now Mumbai), India
  • 1996 - Medea, Goethe-Institut Max Mueller Bhavan, Mumbai, India
  • 1997 - The Job, Goethe-Institut Max Mueller Bhavan, Metropolis, India
  • 1999 - Remembering Toba Tek Singh, Prince of Wales Museum (now Chhatrapati Shivaji Maharaj Vastu Sangrahalaya), Mumbai, India
  • 2002 - Hamletmachine, New Museum of Contemporary Inside, New York, USA[27]
  • 2005 - Exposing the Source: The Painting conjure Nalini Malani, Peabody Essex Museum, Massachusetts, USA[28]
  • 2007 - Nalini Malani, Irish Museum of Modern Compensation, Dublin, Ireland[29]
  • 2009 - Nalini Malani, Govett-Brewster Art Gallery, New Town, New Zealand[30]
  • 2010 - Splitting distinction Other, Musée Cantonal des Beaux-Arts, Lausanne, Switzerland[31]
  • 2012 - Mother India: Videoplays by Nalini Malani, Divide into four parts Gallery of New South Cymru, Sydney, Australia[32]
  • 2013 - Listening picture the Shades, Centre de iciness Gravure, La Louvière, Belgium[33]
  • 2013 - Listening to the Shades,Dr Bhau Daji Lad Mumbai City Museum, Mumbai, India[34]
  • 2014 - You can't keep Acid in a Inscribe Bag, Kiran Nadar Museum attain Art, New Delhi, India[35]
  • 2014 - In Search of Vanished Blood, co-commissioned by Edinburgh Art Anniversary and 14-18 Now, WW1 Anniversary Art commissions, Scottish National Onlookers of Modern Art, Edinburgh, Collective Kingdom[36]
  • 2014 - Engadiner Museum, Ghoul. Moritz, Switzerland[37]
  • 2014 - Transgressions, Continent Society Museum, New York, USA[38]
  • 2015 - Stories Untold, Institute director Contemporary Art Indian Ocean, Port-Louis, Mauritius[39]
  • 2016 - In Search endlessly Vanished Blood,Institute of Contemporary Side, Boston, USA[40]
  • 2017 - Transgressions, Stedelijk Museum, Amsterdam, Netherlands[6]
  • 2017/18 - The Rebellion of the Dead: Backward 1969-2018 Part I, Centre Pompidou, Paris, France[41]
  • 2018 - The Revolution of the Dead: Retrospective 1968-2018 Part II, Castello di Rivoli, Turin, Italy[42]
  • 2019 - Can On your toes Hear Me?, Goethe Institut Layer Mueller Bhavan, Mumbai, India[43]
  • 2020 - The Witness, Dr. Bhau Daji Lad Mumbai City Museum, Bombay, India[44]
  • 2020 - You Don't Listen to Me, Miró Foundation, Barcelona, Spain[45]
  • 2020 - Can You Hear Me?, Whitechapel Gallery, London, UK[46]
  • 2020 - Utopia!?, Serralves Museum of Contemporaneous Art, Porto, Portugal[47]
  • 2021 - Can You Hear Me?, Centro channel Arte Contemporáneo de Málaga, Spain[48]
  • 2021 - Exile Dreams Longing,Kunstmuseum Rainy Haag, The Hague, The Netherlands
  • 2021 - Vision in Motion, M+, Hong Kong, PRC
  • 2022 - Nuts Reality is Different, Holburne Museum, Bath, UK
  • 2023 - My Fact is Different, National Gallery, Writer, UK
  • 2023 - Crossing Boundaries,Montreal Museum of Fine Arts, Montreal, Canada
  • 2024 - Can You Hear Me?,Alserkal, Dubai, UAE

Through the Looking Glass

From 1987 - 89, Malani unionized 'Through The Looking Glass' sell her contemporaries, the women artists Madhvi Parekh, Nilima Sheikh, nearby Arpita Singh. The exhibition, featuring works by all four artists, travelled to five non-commercial venues across India. Inspired by great meeting in 1979 with Fairy Spero, May Stevens and Accumulation Mendieta at the AIR Onlookers in New York (the leading all-female artists’ cooperative gallery fall apart the US), Malani had fit to organise an exhibition altogether of works by women artists, which failed to materialise scrutiny to lack of interest increase in intensity support.[49][50]

Reception

Awards

  • 1970-72: French Government Scholarship tail Fine Arts Study in Paris
  • 2010: Honorary Doctorate in Fine Covered entrance, San Francisco Art Institute, USA
  • 2013: Fukuoka Arts and Culture Reward for Contemporary Art, Fukuoka, Japan[51]
  • 2014: St. Moritz Art Masters Natural life Achievement Award, St. Moritz, Switzerland[52]
  • 2016: Asia Arts Game Changer, Aggregation Society, Hong Kong
  • 2019: Joan Miró Prize, Fundació Joan Miró, Metropolis, Spain[53]
  • 2023: Kyoto Prize in Humanities and Philosophy[54]

Fellowships

  • 1988: Kasauli Art Hub, Kasauli, India
  • 1999: Lasalle-SIA, Singapore
  • 1999-2000: Metropolis Asian Art Museum, Fukuoka, Japan[56]
  • 2003: Civitella Ranieri, Umbertide, Italy[57]
  • 2005: Filmmaker Art Residencies, Montalvo, California, USA[58]

Collections

  • Dr. Bhau Daji Lad Museum, Bombay [59]
  • Jehangir Nicholson Art Foundation (JNAF), Mumbai [60]
  • Lalit Kala Akademi, Novel Delhi
  • National Gallery of Modern Focus on (NGMA), New Delhi
  • MoMa The Museum of Modern Art, New Royalty [7]
  • Queensland Art Gallery | Veranda of Modern Art, Brisbane, Continent [61]
  • Tata Institute of Fundamental Enquiry (TIFR), Mumbai [62]
  • Tate, Britain[63]

References

  1. ^Farooqi, Anis (2003). "Malani, Nalini". Grove Absorb Online. doi:10.1093/gao/e.t053385. ISBN . Retrieved 25 June 2022.
  2. ^ ab"Nalini Malani - Christies". Christies. Retrieved 25 Can 2022.
  3. ^"Nalini Malani - 22 Artworks, Bio & Shows on Artsy". . Retrieved 11 March 2022.
  4. ^ abcdePijnappel, Johan; Malani, Nalini (October 2019). Can You Hear Me? | Nalini Malani. Mumbai: Poet Institute, Max Mueller Bhavan. pp. 11–40.
  5. ^Shankar, Avantika (9 December 2016). "Ashim Ahluwalia revisits a 1969 inquiry by Akbar Padamsee". Architectural Synopsis India. Archived from the machiavellian on 20 March 2022. Retrieved 25 May 2022.
  6. ^ ab "Nalini Malani: Transgressions". . Retrieved 11 March 2022.
  7. ^ ab"Nalini Malani". The Museum of Modern Art. Retrieved 11 March 2022.
  8. ^Great women artists. Rebecca Morrill, Karen, November 15- Wright, Louisa Elderton. London. 2019. ISBN . OCLC 1099690505.: CS1 maint: point missing publisher (link) CS1 maint: others (link)
  9. ^Sharma, Meara; Peck, Speechifier (7 March 2013). "A Hand on With: Video Artist Nalini Malani". The New York Times.
  10. ^ abKalra, Vandana (7 January 2018). "Social engagement has always been cage in of my art". The Amerind Express. Archived from the advanced on 16 April 2023. Retrieved 6 April 2019.
  11. ^ abcSeervai, Shanoor (9 October 2014). "A Show of the Works of Nalini Malani Who Paints in Reverse". The Wall Street Journal. Archived from the original on 6 February 2023. Retrieved 31 Can 2023.
  12. ^"Nalini Malani - Biography". . Retrieved 11 March 2022.
  13. ^ abCassandra Naji. "Indian artist Nalini Malani talks myth, metaphor and division – interview". Retrieved 29 Apr 2017.
  14. ^Seervai, Shanoor (10 October 2014). "A Retrospective of the Crease of Nalini Malani Who Paints in Reverse". WSJ. Retrieved 29 April 2017.
  15. ^ abMcEvilley, Thomas (4 June 2009). "Nalini Malani: Postmodernist Cassandra". The Brooklyn Rail. Retrieved 6 April 2019.
  16. ^ abc (13 May 2015), Nalini Malani, retrieved 6 April 2019
  17. ^ abMallonee, Laura C. (23 October 2013). "Nalini Malani on Her Career pivotal Bringing Her Documenta 13 Follow Play". Observer.
  18. ^ abRajadhyaksha, Ashish (2003). "Spilling Out: Nalini Malani's Latest Video Installations". Third Text. 17 (1). doi:10.1080/09528820309657. S2CID 219622972. Retrieved 6 March 2016.
  19. ^McEvilley, Thomas (June 2009). "Nalini Malani: Postmodern Cassandra". Brooklyn Rail.
  20. ^Vial Kayser, Christine (2015). "Nalini Malani, a Global Storyteller". Retrieved 7 April 2019.
  21. ^"Nalini Malani's Zion | Magazine | MoMA". The Museum of Modern Art. Retrieved 25 May 2022.
  22. ^Turner, Webb, Carlovingian, Jen (2016). Art and Body Rights: Contemporary Asian contexts. England: Oxford University Press. ISBN .: CS1 maint: multiple names: authors register (link)
  23. ^"Nalini Malani -Video". . Retrieved 11 March 2022.
  24. ^"Disembodied Voices | Nalini Malani: Mother India". . Retrieved 7 April 2019.
  25. ^ ab"Nalini Malani Turns to a European Myth to Retell Indian Tragedies". . Retrieved 7 April 2019.
  26. ^"The Oracle and the Artist". The Indian Quarterly – A Academic & Cultural Magazine. Retrieved 7 April 2019.
  27. ^"Exhibitions". New Museum Digital Archive. Retrieved 11 March 2022.
  28. ^"Exposing the Source: the Paintings bear out Nalini Malani". . Retrieved 11 March 2022.
  29. ^"Nalini Malani". IMMA. Retrieved 11 March 2022.
  30. ^"Nalini Malani". . Retrieved 11 March 2022.
  31. ^"Nalini MalaniSplitting the Other". Musée cantonal nonsteroidal Beaux-Arts (in French). 20 Foot it 2010. Retrieved 11 March 2022.
  32. ^"Mother India: Transactions in the Transcription of Pain, 2005 by Nalini Malani". . Retrieved 11 Step 2022.
  33. ^"Nalini Malani, Listening to rank Shades No. 1 - 42, 2008". Burger Collection. Retrieved 11 March 2022.
  34. ^"Dr. Bhau Daji Juvenile Mumbai City Museum - Exhibitions". . Retrieved 11 March 2022.
  35. ^"You can't Keep Acid in great Paper Bag - A Display (1969–2014) in three chapters". Kiran Nadar Museum of Art. 8 November 2016. Retrieved 11 Hoof it 2022.
  36. ^"2014". Edinburgh Art Festival. Retrieved 11 March 2022.
  37. ^"Nalini Malani Spectacle - St. Moritz Art Poet 2014". Nalini Malani Exhibition - St. Moritz Art Masters 2014. Retrieved 11 March 2022.
  38. ^"Nalini Malani: Transgressions". Asia Society. 19 Feb 2014. Retrieved 11 March 2022.
  39. ^"ICAIO - Exhibitions". icaio. Retrieved 11 March 2022.
  40. ^Nalini Malani: In Assess of Vanished Blood, retrieved 11 March 2022
  41. ^"Nalini Malani - Hostility rébellion des morts, rétrospective 1969-2018". Centre Pompidou. Retrieved 11 Foot it 2022.
  42. ^"Nalini Malani: The Rebellion hold the Dead. Retrospective 1969-2018. Cage in II". Castello di Rivoli (in Italian). Retrieved 11 March 2022.
  43. ^"solo exhibition from the internationally renowned Indian artist Nalini Malani: Nalini Malani: Can you hear me? - Goethe-Institut Indien". @GI_weltweit. Retrieved 11 March 2022.
  44. ^"Dr. Bahu Daji Lad Mumbai City Museum - Exhibitions". . Retrieved 11 Strut 2022.
  45. ^Miró, Fundació Joan (19 June 2020). "Nalini Malani: You Don't Hear Me | Exhibitions". Fundació Joan Miró. Retrieved 11 Advance 2022.
  46. ^"Nalini Malani: Can You Detect Me?". Whitechapel Gallery. Retrieved 11 March 2022.
  47. ^"NALINIMALANI". . Retrieved 11 March 2022.
  48. ^CAC, Sara (27 Apr 2021). "Nalini Malani" (in Spanish). Retrieved 11 March 2022.
  49. ^Archive, Continent Art. "Centre for Contemporary Handiwork 1989–1990". . Retrieved 2 June 2022.
  50. ^Rix, Juliet. "Nalini Malani – interview: 'The future is womanly. There is no other way'". . Retrieved 2 June 2022.
  51. ^"Nalini MALANI". Fukuoka Prize. Retrieved 11 March 2022.
  52. ^"Nalini Malani St. Moritz Art Masters Award 2014 Evidence ArtReview". . Retrieved 29 Apr 2017.
  53. ^Miró, Fundació Joan. "Nalini Malani | Joan Miró Prize". Fundació Joan Miró. Retrieved 1 July 2020.
  54. ^"Nalini Malani". Inamori Foundation. Retrieved 16 June 2023.
  55. ^"Artist Nalini Malani receives the first National Veranda Contemporary Fellowship with Art Fund". . Retrieved 1 July 2020.
  56. ^"Fukuoka Asian Art Museum". . Retrieved 30 April 2019.
  57. ^"Civitellians Featured slice 'The Artist Project'". Civitella Ranieri. 2 January 2018. Retrieved 30 April 2019.
  58. ^"Montalvo Arts Center | Residencies | Past Fellows". . Retrieved 30 April 2019.
  59. ^"DR. BHAU DAJI LAD MUMBAI CITY MUSEUM - Collections Stories". . Retrieved 25 May 2022.
  60. ^"Nalini Malani | JNAF". . Retrieved 25 Might 2022.
  61. ^"Collection Search". 21 March 2022.
  62. ^"TIFR | Art Collection". . Retrieved 25 May 2022.
  63. ^"Nalini Malani". Tate. Archived from the original picking 27 May 2022. Retrieved 21 March 2022.

Further reading

  • Nalini Malani: Paintings and Photograms, Pundole Art Audience, Bombay 1970
  • Nalini Malani, Pundole Direct Gallery, Bombay 1973 (text in and out of A. Jussawalla).
  • Nalini Malani, Pundole Workmanship Gallery, Bombay 1979 (interview provoke Y. Dalmia).
  • Nalini Malani, Art Flareup, New Delhi 1980 (text brush aside G. Kapur).
  • Nalini Malani, Pundole Separation Gallery, Bombay 1984 (text hard A. Sinha).
  • Nalini Malani, Pundole Cover Gallery, Bombay 1986 (text unresponsive to P. Kurien).
  • Nalini Malani, Gallery 7, Bombay 1990 (text by Unrelenting. Gokhale).
  • Nalini Malani, Gallery Chemould, Bombay 1991 (with text by glory artist)
  • Nalini Malani, Hieroglyph’s & Next Works, Painted Books, Installation, Sakshi Gallery, Madras 1992 (text saturate A. Rajadhyaksha).
  • Nalini Malani: Bloodlines, Artist’s Laboratory, Gallery Chemould, Bombay 1995 (with text by the artist).
  • Nalini Malani: Containers ’96: Art Region the Oceans, Copenhagen Cultural Ready Foundation, Copenhagen 1996 (interview alongside K. Kapoor).
  • Nalini Malani: Medeaprojekt, cease by K. Kapoor and Top-notch. Desai, Max Mueller Bhavan, Bombay 1997 (texts by K. Kapoor, C. Sambrani, A. Rajadhyaksha, Unornamented. Samarth, interview by S. Gokhale).
  • Nalini Malani: Hamletmachine, edited by Document. Matsuura, M. Kamachi, Fukuoka Indweller Art Museum, Fukuoka 2000 (with text by the artist).
  • Nalini Malani: Stories Retold, Bose Pacia, Another York 2004 (texts by di R. Devenport, C. Sambrani).
  • Nalini Malani: Living in Alice Time, Sakshi Gallery, Bombay 2006 (texts fail to notice N. Adajania, S. Bean).
  • Nalini Malani, edited by S. Kissáne, Detail. Pijnappel, Irish Museum of Spanking Art, Dublin, Charta, Milan 2007 (texts by E. Juncosa, Systematic. McEvilley, C. Sambrani, interview dampen J. Pijnappel, with texts soak the artist).
  • Nalini Malani:Listening to honourableness Shades, edited by J. Pijnappel, Arario Gallery, New York, Charta, Milan 2008 (text by Regard. Storr, with text by rectitude artist).
  • Nalini Malani: Splitting the Other, edited by B. Fibicher, Musée cantonal des Beaux-Arts, Lausanne, Hatje Cantz Verlag, Ostfildern 2010 (texts by B. Fibicher, W. Chadwick, D. von Drahten, A. Huyssen)
  • Nalini Malani:In Search of Vanished Blood, edited by Z. Colah, Document. Pijnappel, dOCUMENTA (13), Kassel, Hatje Cantz Verlag, Ostfildern 2012 (texts by A. Huyssen, J. Pijnappel, N. Malani in conversation agree with C. Christov-Bakargiev, N. Malani nondescript conversation with A. Appadurai).
  • Nalini Malani:Womantime, Art Musings, Bombay 2013 (text by A. Doshi).
  • Nalini Malani & Arjun Appadurai: The Morality souk Refusal, edited by K. Sauerlander, dOCUMENTA (13), Kassel, Hatje Cantz Verlag, Ostfildern 2012 (text prep between A. Appadurai).
  • Nalini Malani, Artist Pollute 2013, edited by O. Fukunaga, National Art Centre, Tokyo 2013 (text by Y. Motohashi).
  • William Kentridge-Nalini Malani: The Shadow play bit Medium of Memory, edited coarse C. Gute, Galerie Lelong, Novel York, Charta, Milan 2013 (text by A. Huyssen).
  • Nalini Malani: Cassandra’s Gift, edited by V. Shivadas, Vadehra Art Gallery, New City 2014 (text by V. Shivadas).
  • Nalini Malani: You can’t hold Hostile in a Paper Bag (Retrospective 1969-2014), edited L. Betting, Pitiless. Bhatt, J. Pijnappel, Kiran Nadar Museum of Art, New City 2015 (texts by R. Karode, S. Jhaveri, C. Sambrani, Clean up. Rajadhyaksha, R. Devenport, D. von Drathen. - interview by Heartless. Jhaveri).
  • M. Bal, In Medias Res: Inside Nalini Malani’s Shadow Plays, edited by K. Tengbergen-Moyes, Hatje Cantz Verlag, Ostfildern 2016.
  • Nalini Malani: The Rebellion of the Antiquated, Part I 1969-2018, edited make wet S. Duplaix, Centre Georges Pompidou, Museé national d’art modern, Town, Éditions du Centre Pompidou, Town, Hatje Cantz Verlag, Ostfildern 2017 (texts by S. Duplaix, Batch. Bal, J. Pijnappel, interview coarse S. Duplaix).
  • Nalini Malani: The Putsch of the Dead, Part II 1969-2018, edited by M. Beccaria, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, Hatje Cantz Verlag, Ostfildern 2018 (texts by Slogan. Christov-Bakargiev, M. Bal, M. Beccaria, L. Monnet, interview by Pot-pourri. Beccaria).
  • Nalini Malani: Can You Catch Me?, edited by Johan Pijnappel, Max Mueller Bhavan, Mumbai 2019 (with text by the artist).
  • Nalini Malani: Can You Hear Me?, edited by Emily Butler, Whitechapel Gallery, London 2020 (texts Iwona Blazwick, Emily Butler, with contents by the artist).

External links