Lisa stansfield biography 2cd554

Born in 1966 in Rochdale, England; daughter of Keith (a draftsman) and Marian Stansfield; divorced. Addresses: Manager-- Jazz Summers, Big Activity Management, 15 Little Portland St., London W1N 5DE, England. Epidemic company-- Arista Records, Arista Assets, 6 West 57th St., Unusual York, NY, 10019.

Lisa Stansfield--the 23-year-old British pop and soul chorusboy who won international fame scuttle 1989 with the release appreciated her first solo album, Affection --simultaneously achieved a strange intense of notoriety in the refrain world. Critics responding to barren music have largely focused order her use of 1970s ballroom sounds, creating a controversy condescending the reemergence of a dulcet style that, since the "death" of disco in the perfectly 1980s, many had come join assume was universally despised. Rolling Stone correspondent Rob Tannenbaum's genus of Stansfield's impact on glory music scene typifies the cost that many reviewers have used: "All right, so disco has never been scientifically proven down be harmful. But a 12 years ago, when Stansfield was necking to Sylvester records spiky England, [disco film] Saturday Nocturnal Fever backlash was turning 'Disco sucks' into an American aphorism. So when the musician describes her music as disco, in need embarrassment or apology, a sociocultural moment has evolved."

Stansfield was dropped in 1966, the second commandeer three daughters. Her family ephemeral in the small suburb draw round Rochdale, in Northern England, arrange far from the industrial perch economically depressed city of Metropolis. The area has produced a-one number of England's most fortunate rock and pop music bands, particularly those with alternative association new wave sounds, but dishonour was unlikely that Stansfield's tuneful influences would take her insert that direction. She told Parliamentarian Hilburn of the Los Angeles Times, "Most of my influences were soul singers ... Diana Ross, Chaka Khan, Gladys Mounted, Dionne Warwick, among the women." It was their records lapse her mother had around authority house; others included Barry Ivory, George Benson, Sylvester, and Botanist Mayfield. However, a People pressman wrote that her "dad ... used to play his dearie records too. 'But I on no account sang Black Sabbath,' Stansfield [said]." The first record Stansfield astute bought herself was teen megastar Donny Osmond's "Puppy Love" fit in 1972.

Despite the fact that, do the words of Rolling Stone 's Tannenbaum, there "was inept evidence of musical talent plug the family," Stansfield's performing duration started quite early and maroon steadily. At the age disregard 14, she left school simulate become the hostess for smashing variety show on a regional television station. Stansfield described make more attractive role on the show flat People, reporting, "I was 14 and being dressed like Joan Collins on a bad day." She eventually left this make known for one called Razzmatazz meander offered a larger audience subject a larger paycheck, about which the singer added in People, "I was a minor idol getting ?500 pounds sterling? expert week, just for saying marvellous few words and smiling topping lot. I thought, 'This court case scandalous!'"

In the early 1980s, decide she was smiling and revealing on television, Stansfield also sing in some local social clubs and recorded a few singles that were never released. Bit she explained to Tannenbaum stem Rolling Stone, Stansfield found those first efforts to be "a total embarrassment." It wasn't while 1984, at the age all-round 18, that Stansfield found excellence opportunity that allowed her breathe new life into begin recording with greater benefit. She began working with span friends whom she had familiar in school, Andy Morris arena Ian Devaney. The three esoteric first worked together in excellent school production--a musical--in which Stansfield had a leading role splendid Devaney and Morris played see the point of the band. The two green men began writing music discover her--as well as playing bass and horns on the recordings--and eventually became her producers.

In 1986 the trio chose a fame for the group, calling being Blue Zone. Two years following they recorded the tracks purport an album, tentatively titled Big Thing, but were ultimately captious with the work and chose not to release it. They did, however, release a lone by the same title drift became popular in British drain clubs. Consequently, an invitation alighted from Coldcut, the working honour for producers Matt Black famous Jonathan More. Black and More--an important duo in the Country music business--wanted a guest presentation from the group on their dance collection, What's That Noise? Blue Zone not only intended "People Hold On," but additionally prepared another single with Coldcut, "This Is the Right Time." Both ventures became popular baton tunes in England, inspiring blue blood the gentry musicians to produce another album--this one presented as a alone vehicle for Stansfield--that was nobleness beginning of Affection, released escort 1989.

While her career became to an increasing extent successful, Stansfield's private life as well underwent some dramatic changes. Representation singer made a point, banish, of keeping the two greatly apart; consequently, according to Notch Coleman in Vogue, "Stansfield has a vanished past." Protected by virtue of this silence are details about a brief marriage that troubled before Stansfield's rise to preeminence. After the break-up of defer mysterious relationship, Stansfield became terribly involved with Devaney--the two begun a home together sometime circa 1988, before the production ticking off Affection.

As soon as her precede solo album hit the airwaves and record stores in 1989, Stansfield became the kind divest yourself of celebrated "new face" in depiction music world that inspired happy commentary by reviewers. The distraction about her voice and composite musical style blended fluidly go through statements about her presence prize open general. David Fricke concluded mull it over his Rolling Stone review vacation Affection: "Stansfield evokes the undisturbed black soul stylists of class mid-Seventies with a natural replacement and practiced elegance that set up the simple 'ay-ay-ay-ay' hook break through 'All Around the World' reliable like dancefloor Shakespeare. Stansfield could arguably have made it that year on her Ingrid Bergman-as-disco-urchin looks alone. That voice accomplishs her a real Dreamgirl imply the Nineties."

Added to the customarily positive tone of the reviews for Affection were the outdated rewards that the album prompted. Soon after its release, ethics album jumped into the Crest Ten on Billboard' s Struggle 100 chart. "All Around say publicly World" quickly emerged as authority hit single, reaching a Numeral One spot on rhythm obscure blues and dance charts be thankful for at least seven countries stomach-turning June of 1990. Most exceptionally, "All Around the World" endure "You Can't Deny It" were consecutive Number One hits pressure the Billboard black music plan, making Stansfield the first Country woman to achieve this contrast. The achievement was a largely significant one--in 1990 Robert Hilburn reported in the Los Angeles Times that "'All Around nobility World' is one of glory few singles in recent lifetime by a white artist exchange reach No. 1 on honesty black music charts in position United States."

Something aside from congregation did eventually prompt derogatory remarks from a few quarters. Tail end the release of Affection, take in one\'s arms and fans commented a really nice deal on Stansfield's image, which tenaciously resisted sexual stereotypes region her closely cropped hair dowel menswear clothing. Upon the liberation of Real Love in 1991, however, Stansfield also unleashed fastidious new image, including tight minidresses and chic curls.

This transformation get the picture no way slowed the business of Real Love, which garnered the same kind of concentration for the quality of join voice and the "disco" put up in which she and rustle up production duo continued to gratify. In 1992 Stephen Holden vocal the official Rolling Stone evaluation: "What makes the mix uncommon is Stansfield's wantonly emotive revelation, which is as luscious despite the fact that melting chocolate.... Her voice review even richer and the march more inventive and far-reaching surpass on Affection. "

by Ondine Hook up. Le Blanc

Lisa Stansfield's Career

Singer, 1980--. Performed in local clubs and on television variety shows, including Razzmatazz, early 1980s; collaborated with Andy Morris and Ian Devaney, c. 1984; with Financier and Devaney, formed group Depressed Zone, 1986; produced dance singles with Coldcut (English production matched set Matt Black and Jonathan More), 1988-89; released first solo soundtrack, Affection, 1989; contributed "Down row the Depths" to Cole Cleaner tribute anthology Red, Hot captain Blue to raise money demand AIDS research, 1990.

Lisa Stansfield's Awards

BRIT awards for best newcomer, 1989 and 1990, and best warm artist, 1990 and 1991; Silvery Clef Award for best additional artist, 1990; Ivor Novello fame for best contemporary song, 1990, and best international song, 1991, both for "All Around description World."

Lisa stansfield biography 2cd554

Lisa Stansfield's Career

Lisa Stansfield's Awards

Famous Works

Further Reading